menu

Enhance Your Photography with High-Quality Brick Photography Floordrops.

Create Picture-Perfect Moments with Concrete Photography Floordrops.

Unleash Your Creativity with Stone Photography Floordrops!

Get Floored by the Spectacular Tile Photography Floordrops Experience!

Elevate Your Photography Experience with Exquisite Wood Floordrops

Questions? Call Us 1-800-844-5616

Questions? Call Us 1-800-844-5616

This section doesn’t currently include any content. Add content to this section using the sidebar.

Image caption appears here

Add your deal, information or promotional text

Learning Center

It’s all about beauty. It’s all about making it a special visual and visceral experience for your subject. You want the subject to love his or her image as you captured it. IF you do that – then the commercial effect takes over immediately, meaning…

  • 4 min read

First of all, let’s face it, most people are intimidated when being photographed. This is especially true when facing the camera lens of a professional photographer. In a day and age when more photos are taken than ever in history with probably half of them being selfies; and when those images are produced and deleted in a heartbeat based on their appeal or lack thereof, we are very fortunate indeed that people will still seek out a professional photographer.

  • 5 min read

You know that I don’t like rules when it comes to photography. It is, however, nice to have a place to start (or something to fall back on) – especially if you’re a newcomer to the business because a shoot always carries with it pressure in the moment. So, I will always give you “suggestions” that I believe will make your pictures better or more interesting and give you something to fall back on. Bottom line: Your subjects must like themselves in the pictures or you blew it! These “suggestions” have worked for me for decades (and thousands of other shooters) to help make photographs more appealing (and salable). 

  • 4 min read

 Let’s start this out with a bit of history. I am in the process of going through old photo sessions for a variety of new projects. I found these – and in fact, just sent these photographs and the full story to Denny himself. I was bragging on just how long I have been using Denny products ;)! It made both of us laugh (and feel old (no…really, we don’t feel old at all ;))…

  • 3 min read

We’ve spent a lot of time on the techniques for photographing women…

Let’s talk about sessions for the male of the species…and specifically the needs of actors and models.

Again, these images were made with basic lighting and basic (and inexpensive) photo equipment and my ever-present Denny backgrounds, posing stools and C-Stands.

  • 6 min read
The series below was made with two spots (one on the face and one on the hair (with barn doors to gobo possible flare)) and a silver reflector on the floor in front of the subject (who is lying on the floor).  I used small digital cameras each with a zoom lens with automatic exposure and auto white balance and auto focus.  In reality, the sheer act of capturing a quality image today is so simple, that the only thing left for the dedicated photographer is to learn technique and learn to work with the subject.  It is for that reason that technique is so important.  It is the barometer that separates you from the millions of others who are out there trying to do the same thing.
  • 4 min read

 A pretty young singer had just moved here (to LA) from Philadelphia.  So, let’s talk about business for the moment since this tip and all my suggestions (at their highest level) is about transitioning from simply doing snapshots of your friends that are made with cell phones 90% of the time, to making sophisticated marketable images and hopefully making some good money with your camera (or your cell phone for that matter).

  • 5 min read
As professional photographers, we encounter many situations where the client and nature of the shoot demands a vast quantity of images in a short amount of time. For a number of years, I did the principal photography of the major fashion designers for a very large apparel show called MAGIC. I was literally shooting a different outfit and model every 10-15 minutes—and each image had to be right on. So, in the final analysis, you can’t phone it in.
  • 4 min read
The look and facial modeling is always controlled by the key light or main light (so moving the reflector in and out simply affects contrast and fill meaning the lighting ratio).
  • 3 min read
I don’t shoot without professional makeup, hair and styling.  This is a given—etched in stone—part of the expenses i.e. it is essential and critical.  Get the best you can afford—and in a test situation—it should just be an exchange of services.  You get the talent for free, and they get the limited use of your photographs for free.
  • 5 min read
Let’s open with an image I made of legendary actor Charlton Heston.  It was made with one light – very similar to the lighting I used on the model (the last shot in the article) in my last column for Denny.  Notice that I often use of a small silver reflector to fill the shadows just slightly (so they don’t go jet black without any detail), and secondarily, the reflector (depending on the angle) adds additional catch lights to the subject’s eyes to give the photograph more life.  Subtleties are the key.
  • 6 min read
The photograph of Sophia Loren was shot for the cover of Good Housekeeping Magazine.  On this particular two-day shoot with the lady (in Culver City, California), we produced probably a half dozen magazine covers and personal shots as well.  For this shot, I used one light placed at 11:00.  Sophia is sitting on a Denny Mfg. adjustable stool.  2 lights illuminate the background—each at 45-degree angles.  The white background is about 4 feet behind her.  There you go!
  • 4 min read

Search our collections